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Authored Writing
Companion piece for Karin Gulbran’s 2024 exhibition at MASSIMODECARLO Pièce Unique, Paris, FR.
CamLab contributed a “New Letter to a Young Woman Artist” to the 2023 exhibition "The Feminist Art Program (1970-1975): Cycles of Collectivity,” invited by artist Gala Porras-Kim and REDCAT, Los Angeles
“Scores for Persisting, from CamLab's Co-Lived Co-Loved Co-Croned Existings” for Propositional Attitudes: What do we do now? published in 2018 by Golden Spike Press, Los Angeles, CA, edited by Elana Mann and John Burtle
CamLab's Reguarding CamLab book about its 2015 Occidental College residency and Reguarding Room project. Launched at the 2017 LAABF @ ARTBOOK Hauser Wirth & Schimmel booth.
I contributed to If The Head Fits, Wear It: Contemporary Art and The Grateful Dead, a book edited by Mark A. Rodriguez, Elizabeth Cline, and Matt Siegle published in 2017.
My chapter on social practice and community art, “Communities in Radical Reflection”, for the Institute For Figuring's book about its Crochet Coral Reef project. The book is co-authored by Margaret + Christine Wertheim and designed by Kimberly Varella, with a forward by Donna Haraway and an essay by Leslie Dick.
Blog post about the Proclamations in Clay workshop I designed and taught for the Getty Villa Education Department, Malibu CA. Co-authored by Audrey Chan.
Loose Lips Loosen Lips, artist book, designed by Tanya Rubbak.
A history of embodied protest, Dirt and Blankets, written for the Art21 blog.
Occupy LAAAAAA: Artists in Solidarity (Anna Mayer Edition).
Essay written for Laura Aldridge's book, Underside, backside, inside even.
Lessons Learned from the Garden, magazine made in collaboration with Laura Aldridge.
Review for X-TRA magazine of It Is Almost That: A Collection of Image+Text Work by Women Artists & Writers, ed. Lisa Pearson, Siglio Press, 2011.